163 bars of 4/4 at a walking 100 BPM, 6:31 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 46-48, and 10 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 34 times: bars 4, 5, 6, 7, 8, 9 and 28 more.
14 more fills are written out on the fills page.
163 bars across 17 sections: 108 keep time, 34 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 47-56.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
82 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 58 out of 100; the rest of the number is everything around it.
163 bars, about 6:31 at the written tempo. The course breaks it into 62 exercises over 24 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 34 times: bars 4, 5, 6, 7, 8, 9 and 28 more.