115 bars of 4/4 at 112 BPM, about 4:06 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-11, 14-15 and 18-23, and 3 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 29 times: bars 3, 5, 12, 13, 16, 17 and 23 more.
11 more fills are written out on the fills page.
115 bars across 12 sections: 57 keep time, 29 are fills, 14 are stops and 2 are silent. The longest unbroken stretch of time is bars 96-103.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
115 bars, about 4:06 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 29 times: bars 3, 5, 12, 13, 16, 17 and 23 more.