104 bars at 178 BPM -- fast, and 2:20 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 33-39 and 41-47 -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 6, 92, 93, 96, 98, 100 and 1 more.
1 more fill is written out on the fills page.
104 bars across 13 sections: 67 keep time, 7 are fills, 11 are stops and 5 are silent. The longest unbroken stretch of time is bars 33-48.
178 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
104 bars, about 2:20 at the written tempo. The course breaks it into 39 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 6, 92, 93, 96, 98, 100 and 1 more.