381 bars of 4/4 at 130 BPM, about 11:43 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 97-99, 103 and 105-107, and 22 more places -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
48 fills to learn, played 148 times: bars 2, 4, 6, 7, 8, 10 and 142 more.
44 more fills are written out on the fills page.
381 bars across 28 sections: 181 keep time, 148 are fills, 17 are stops and 9 are silent. The longest unbroken stretch of time is bars 165-171.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 77 out of 100; the rest of the number is everything around it.
381 bars, about 11:43 at the written tempo. The course breaks it into 110 exercises over 30 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
48 fills to learn, played 148 times: bars 2, 4, 6, 7, 8, 10 and 142 more.