88 bars of 8/4 -- not four -- at 150 BPM, 4:42 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-3, 6-7 and 10-11, and 3 more places -- 27.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 15 times: bars 4, 7, 8, 12, 15, 16 and 9 more.
5 more fills are written out on the fills page.
88 bars across 3 sections: 27 keep time, 15 are fills, 1 is a stop and 44 are silent.
150 BPM, in 8/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
88 bars, about 4:42 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 4, 7, 8, 12, 15, 16 and 9 more.