214 bars at 175 BPM -- fast, and 4:53 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 42-48, 50-57 and 92-98, and 5 more places -- 22% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 23 times: bars 9, 25, 40, 41, 49, 58 and 17 more.
7 more fills are written out on the fills page.
214 bars across 20 sections: 133 keep time, 23 are fills, 19 are stops and 23 are silent. The longest unbroken stretch of time is bars 108-122.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
214 bars, about 4:53 at the written tempo. The course breaks it into 56 exercises over 14 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 23 times: bars 9, 25, 40, 41, 49, 58 and 17 more.