113 bars of 4/4 at 150 BPM, about 3:01 of playing, on crash, hi-hat, snare, mid tom and kick.
The beat the song is built on is one bar, played through bars 41-43, 45-47 and 61-63, and 2 more places -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 7 times: bars 31, 32, 57, 77, 81, 82 and 1 more.
113 bars across 15 sections: 67 keep time, 7 are fills, 18 are stops and 6 are silent. The longest unbroken stretch of time is bars 1-7.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
113 bars, about 3:01 at the written tempo. The course breaks it into 42 exercises over 15 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
3 fills to learn, played 7 times: bars 31, 32, 57, 77, 81, 82 and 1 more.