149 bars of 4/4 at a walking 98 BPM, 6:05 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 113-126, 129 and 131, and 5 more places -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 6 times: bars 52, 60, 73, 90, 102 and 127.
1 more fill is written out on the fills page.
149 bars across 16 sections: 113 keep time, 6 are fills, 2 are stops and 10 are silent. The longest unbroken stretch of time is bars 114-126.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
149 bars, about 6:05 at the written tempo. The course breaks it into 54 exercises over 13 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 52, 60, 73, 90, 102 and 127.