182 bars of 4/4 at 127 BPM, about 5:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-42, 45-46 and 73-74, and 14 more places -- 29.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 23 times: bars 15, 16, 24, 40, 72, 88 and 17 more.
3 more fills are written out on the fills page.
182 bars across 10 sections: 133 keep time, 23 are fills, 4 are stops and 7 are silent. The longest unbroken stretch of time is bars 113-127.
127 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 46 out of 100; the rest of the number is everything around it.
182 bars, about 5:44 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 23 times: bars 15, 16, 24, 40, 72, 88 and 17 more.