181 bars of 4/4 at 125 BPM, about 5:48 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-42, 45-46 and 73-74, and 14 more places -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 24 times: bars 15, 16, 24, 40, 56, 72 and 18 more.
3 more fills are written out on the fills page.
181 bars across 11 sections: 134 keep time, 24 are fills, 3 are stops and 9 are silent. The longest unbroken stretch of time is bars 113-127.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
181 bars, about 5:48 at the written tempo. The course breaks it into 37 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 24 times: bars 15, 16, 24, 40, 56, 72 and 18 more.