139 bars of 4/4 at 125 BPM, about 4:27 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 23, 25-31 and 33, and 5 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 21 times: bars 24, 32, 36, 40, 55, 56 and 15 more.
11 more fills are written out on the fills page.
139 bars across 13 sections: 82 keep time, 21 are fills, 19 are stops and 8 are silent. The longest unbroken stretch of time is bars 8-22.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
139 bars, about 4:27 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 21 times: bars 24, 32, 36, 40, 55, 56 and 15 more.