93 bars of 4/4 at a walking 98 BPM, 3:48 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26-27, 51-57 and 75-81, and 1 more place -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 24 times: bars 20, 21, 24, 25, 28, 29 and 18 more.
5 more fills are written out on the fills page.
93 bars across 10 sections: 41 keep time, 24 are fills, 2 are stops and 18 are silent. The longest unbroken stretch of time is bars 83-91.
98 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
93 bars, about 3:48 at the written tempo. The course breaks it into 29 exercises over 7 sittings, about 30 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 24 times: bars 20, 21, 24, 25, 28, 29 and 18 more.