112 bars of 6/4 -- not four -- at 150 BPM, 4:28 of playing on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25-31, 41-48 and 57-59, and 1 more place -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 12 times: bars 12, 16, 24, 32, 33, 34 and 6 more.
2 more fills are written out on the fills page.
112 bars across 10 sections: 55 keep time, 12 are fills and 37 are silent. The longest unbroken stretch of time is bars 66-75.
150 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
112 bars, about 4:28 at the written tempo. The course breaks it into 31 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 12 times: bars 12, 16, 24, 32, 33, 34 and 6 more.