233 bars at 174 BPM -- fast, and 5:23 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-35, 37-39 and 43-45, and 12 more places -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 46 times: bars 14, 18, 32, 40, 41, 42 and 40 more.
21 more fills are written out on the fills page.
233 bars across 23 sections: 142 keep time, 46 are fills, 8 are stops and 17 are silent. The longest unbroken stretch of time is bars 24-30.
174 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
233 bars, about 5:23 at the written tempo. The course breaks it into 80 exercises over 24 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 46 times: bars 14, 18, 32, 40, 41, 42 and 40 more.