112 bars at 185 BPM -- fast, and 2:25 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-6, 9 and 24, and 20 more places -- 30.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 19 times: bars 3, 4, 7, 8, 10, 14 and 13 more.
4 more fills are written out on the fills page.
112 bars across 10 sections: 54 keep time, 20 are fills, 29 are stops and 1 is silent. The longest unbroken stretch of time is bars 64-77.
185 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
112 bars, about 2:25 at the written tempo. The course breaks it into 30 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 19 times: bars 3, 4, 7, 8, 10, 14 and 13 more.