145 bars of 6/4 -- not four -- at 115 BPM, 7:34 of playing on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 54-68 -- 15.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 15 times: bars 1, 71, 75, 77, 79, 80 and 9 more.
2 more fills are written out on the fills page.
145 bars across 9 sections: 57 keep time, 15 are fills, 15 are stops and 48 are silent. The longest unbroken stretch of time is bars 39-52.
115 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
33 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
145 bars, about 7:34 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 1, 71, 75, 77, 79, 80 and 9 more.