117 bars of 3/4 -- not four -- at 75 BPM, 4:41 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25, 49 and 74-76, and 4 more places -- 9.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 24 times: bars 13, 14, 15, 16, 18, 20 and 18 more.
11 more fills are written out on the fills page.
117 bars across 12 sections: 50 keep time, 24 are fills, 9 are stops and 21 are silent. The longest unbroken stretch of time is bars 5-12.
75 BPM, in 3/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
117 bars, about 4:41 at the written tempo. The course breaks it into 47 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 24 times: bars 13, 14, 15, 16, 18, 20 and 18 more.