96 bars of 4/4 at 130 BPM, about 2:57 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 17-23 and 25, and 8 more places -- 24.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 13 times: bars 4, 8, 32, 33, 34, 40 and 7 more.
3 more fills are written out on the fills page.
96 bars across 11 sections: 64 keep time, 13 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 88-95.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
96 bars, about 2:57 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
7 fills to learn, played 13 times: bars 4, 8, 32, 33, 34, 40 and 7 more.