89 bars of 3/4 -- not four -- at 95 BPM, 2:49 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-15, 17 and 19, and 3 more places -- 12.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 45 times: bars 9, 10, 11, 12, 16, 18 and 39 more.
11 more fills are written out on the fills page.
89 bars across 8 sections: 29 keep time, 45 are fills, 1 is a stop and 8 are silent. The longest unbroken stretch of time is bars 62-67.
95 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
89 bars, about 2:49 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 45 times: bars 9, 10, 11, 12, 16, 18 and 39 more.