153 bars of 4/4 at a walking 94 BPM, 6:31 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 24 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 15 times: bars 7, 8, 9, 29, 33, 53 and 9 more.
4 more fills are written out on the fills page.
153 bars across 15 sections: 111 keep time, 15 are fills, 7 are stops and 1 is silent. The longest unbroken stretch of time is bars 77-91.
94 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
153 bars, about 6:31 at the written tempo. The course breaks it into 50 exercises over 13 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 15 times: bars 7, 8, 9, 29, 33, 53 and 9 more.