118 bars of 4/4 at 137 BPM, about 3:27 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 51, 53-54 and 63-65, and 9 more places -- 25.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 28 times: bars 35, 36, 44, 45, 46, 50 and 22 more.
6 more fills are written out on the fills page.
118 bars across 9 sections: 75 keep time, 28 are fills, 3 are stops and 3 are silent. The longest unbroken stretch of time is bars 6-25.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
118 bars, about 3:27 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 28 times: bars 35, 36, 44, 45, 46, 50 and 22 more.