162 bars of 4/4 at 146 BPM, about 4:26 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 11, 110-112 and 147-152 -- 6.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 95 times: bars 1, 2, 10, 17, 18, 19 and 89 more.
10 more fills are written out on the fills page.
162 bars across 13 sections: 43 keep time, 95 are fills, 1 is a stop and 11 are silent. The longest unbroken stretch of time is bars 3-9.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
162 bars, about 4:26 at the written tempo. The course breaks it into 54 exercises over 21 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 95 times: bars 1, 2, 10, 17, 18, 19 and 89 more.