68 bars of 5/4 -- not four -- at 170 BPM, 2:20 of playing on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-11 and 13-15 -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 29 times: bars 8, 12, 18, 19, 20, 21 and 23 more.
7 more fills are written out on the fills page.
85 bars across 5 sections: 17 keep time, 29 are fills, 8 are stops and 26 are silent. The longest unbroken stretch of time is bars 13-16.
170 BPM, in 5/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
82 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
68 bars, about 2:20 at the written tempo. The course breaks it into 24 exercises over 10 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 29 times: bars 8, 12, 18, 19, 20, 21 and 23 more.