253 bars of 4/4 at a walking 92 BPM, 11:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 78-82, 95-97 and 128-142, and 2 more places -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 15 times: bars 4, 12, 16, 18, 39, 40 and 9 more.
7 more fills are written out on the fills page.
253 bars across 31 sections: 172 keep time, 15 are fills, 14 are stops and 20 are silent. The longest unbroken stretch of time is bars 129-142.
92 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
253 bars, about 11:00 at the written tempo. The course breaks it into 101 exercises over 31 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 15 times: bars 4, 12, 16, 18, 39, 40 and 9 more.