61 bars, 3:15, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 5-15, 27-41 and 51-58 -- 59.6% of every bar the kit plays. Learn that one and most of the song is already under your hands.
3 fills to learn, played 6 times: bars 16, 25, 26, 42, 59 and 60.
61 bars across 6 sections: 45 keep time, 6 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 28-41.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
61 bars, about 3:15 at the written tempo. The course breaks it into 13 exercises over 4 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 16, 25, 26, 42, 59 and 60.