248 bars of 6/4 -- not four -- at 198 BPM, 6:21 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 68, 76 and 82-84, and 1 more place -- 4.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29 fills to learn, played 69 times: bars 2, 3, 4, 7, 8, 16 and 63 more.
26 more fills are written out on the fills page.
248 bars across 21 sections: 74 keep time, 69 are fills, 13 are stops and 71 are silent. The longest unbroken stretch of time is bars 156-165.
198 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
248 bars, about 6:21 at the written tempo. The course breaks it into 101 exercises over 28 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
29 fills to learn, played 69 times: bars 2, 3, 4, 7, 8, 16 and 63 more.