208 bars of 4/4 at 150 BPM, about 5:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 14-15, 18 and 20, and 30 more places -- 16.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 9, 10, 16, 72, 84, 88 and 8 more.
3 more fills are written out on the fills page.
208 bars across 10 sections: 108 keep time, 14 are fills, 74 are stops and 4 are silent. The longest unbroken stretch of time is bars 133-163.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
208 bars, about 5:33 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 9, 10, 16, 72, 84, 88 and 8 more.