256 bars of 3/4 -- not four -- at 87 BPM, 8:50 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22, 24 and 56, and 23 more places -- 12.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 38 times: bars 23, 27, 35, 49, 51, 55 and 32 more.
10 more fills are written out on the fills page.
256 bars across 18 sections: 140 keep time, 38 are fills, 4 are stops and 55 are silent. The longest unbroken stretch of time is bars 119-135.
87 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
256 bars, about 8:50 at the written tempo. The course breaks it into 67 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 38 times: bars 23, 27, 35, 49, 51, 55 and 32 more.