91 bars of 4/4 at a walking 105 BPM, 3:28 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 21-23, and 5 more places -- 26.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 13 times: bars 28, 30, 32, 34, 36, 68 and 7 more.
1 more fill is written out on the fills page.
91 bars across 9 sections: 68 keep time, 13 are fills and 1 is a stop. The longest unbroken stretch of time is bars 13-27.
105 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
91 bars, about 3:28 at the written tempo. The course breaks it into 30 exercises over 8 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 28, 30, 32, 34, 36, 68 and 7 more.