46 bars of 4/4 at 150 BPM, about 1:14 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 9-10, 13-14 and 17-18, and 1 more place -- 17.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 8 times: bars 1, 5, 7, 8, 37, 38 and 2 more.
46 bars across 4 sections: 32 keep time, 8 are fills and 1 is a stop. The longest unbroken stretch of time is bars 10-24.
150 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
46 bars, about 1:14 at the written tempo. The course breaks it into 17 exercises over 7 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 1, 5, 7, 8, 37, 38 and 2 more.