58 bars of 4/4 at a walking 80 BPM, 2:54 of playing, on crash, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 18 and 22, and 3 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 20 times: bars 4, 8, 17, 19, 21, 23 and 14 more.
9 more fills are written out on the fills page.
58 bars across 9 sections: 12 keep time, 20 are fills, 2 are stops and 19 are silent.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 45 out of 100; the rest of the number is everything around it.
58 bars, about 2:54 at the written tempo. The course breaks it into 25 exercises over 6 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 20 times: bars 4, 8, 17, 19, 21, 23 and 14 more.