170 bars of 4/4 at 114 BPM, about 5:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5, 7 and 28-29, and 8 more places -- 12.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 61 times: bars 3, 8, 9, 10, 18, 20 and 55 more.
15 more fills are written out on the fills page.
170 bars across 17 sections: 82 keep time, 61 are fills and 3 are stops. The longest unbroken stretch of time is bars 52-59.
114 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
170 bars, about 5:58 at the written tempo. The course breaks it into 71 exercises over 24 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 61 times: bars 3, 8, 9, 10, 18, 20 and 55 more.