263 bars of 6/4 -- not four -- at 122 BPM, 11:32 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 66-68, 70-72 and 74-76, and 3 more places -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 55 times: bars 5, 13, 15, 21, 23, 25 and 49 more.
22 more fills are written out on the fills page.
263 bars across 20 sections: 71 keep time, 55 are fills, 23 are stops and 97 are silent. The longest unbroken stretch of time is bars 119-124.
122 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 45 out of 100; the rest of the number is everything around it.
263 bars, about 11:32 at the written tempo. The course breaks it into 77 exercises over 19 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 55 times: bars 5, 13, 15, 21, 23, 25 and 49 more.