162 bars of 4/4 at 143 BPM, about 4:32 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 42-56, 74-88 and 138-140, and 3 more places -- 31.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 15 times: bars 24, 25, 29, 33, 37, 41 and 9 more.
5 more fills are written out on the fills page.
162 bars across 12 sections: 97 keep time, 15 are fills, 8 are stops and 29 are silent. The longest unbroken stretch of time is bars 75-103.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
162 bars, about 4:32 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 15 times: bars 24, 25, 29, 33, 37, 41 and 9 more.