67 bars of 4/4 at a walking 83 BPM, 3:14 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 3, 5 and 13, and 12 more places -- 25% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13 fills to learn, played 24 times: bars 2, 6, 18, 20, 26, 30 and 18 more.
9 more fills are written out on the fills page.
67 bars across 10 sections: 33 keep time, 24 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 7-11.
83 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
67 bars, about 3:14 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 24 times: bars 2, 6, 18, 20, 26, 30 and 18 more.