116 bars, 6:48, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 75-84, 95-96 and 99-108 -- 19.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 fill to learn, played 1 time: bar 67.
116 bars across 14 sections: 95 keep time, 1 is a fill, 3 are stops and 5 are silent. The longest unbroken stretch of time is bars 26-42.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
78 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 70 out of 100; the rest of the number is everything around it.
116 bars, about 6:48 at the written tempo. The course breaks it into 40 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 67.