512 bars of 4/4 at a walking 102 BPM, 19:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 140, 149 and 154, and 15 more places -- 4.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 61 times: bars 11, 12, 13, 14, 15, 16 and 55 more.
10 more fills are written out on the fills page.
517 bars across 51 sections: 354 keep time, 61 are fills, 5 are stops and 24 are silent. The longest unbroken stretch of time is bars 59-88.
102 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
512 bars, about 19:57 at the written tempo. The course breaks it into 177 exercises over 48 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 61 times: bars 11, 12, 13, 14, 15, 16 and 55 more.