80 bars of 4/4 at 140 BPM, about 2:17 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-14, 25-30 and 41-46, and 2 more places -- 31.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
80 bars across 10 sections: 65 keep time and 1 is a stop. The longest unbroken stretch of time is bars 61-71.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
80 bars, about 2:17 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.