340 bars of 6/4 -- not four -- at 130 BPM, 15:42 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 106-112, 114-128 and 130-136, and 3 more places -- 20.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 25 times: bars 6, 22, 26, 42, 50, 59 and 19 more.
12 more fills are written out on the fills page.
340 bars across 16 sections: 186 keep time, 25 are fills and 114 are silent. The longest unbroken stretch of time is bars 107-144.
130 BPM, in 6/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 20 out of 100; the rest of the number is everything around it.
340 bars, about 15:42 at the written tempo. The course breaks it into 66 exercises over 20 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 25 times: bars 6, 22, 26, 42, 50, 59 and 19 more.