116 bars of 4/4 at 126 BPM, about 3:41 of playing, on crash, ride, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10-28 -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 22 times: bars 44, 46, 48, 50, 52, 56 and 16 more.
6 more fills are written out on the fills page.
116 bars across 11 sections: 73 keep time, 22 are fills, 2 are stops and 10 are silent. The longest unbroken stretch of time is bars 11-28.
126 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
116 bars, about 3:41 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 27 minutes each.
crash, ride, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 22 times: bars 44, 46, 48, 50, 52, 56 and 16 more.