64 bars of 4/4 at a walking 76 BPM, 3:22 of playing, on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13, 19-20 and 30-31, and 4 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 9 times: bars 12, 23, 24, 25, 26, 32 and 3 more.
2 more fills are written out on the fills page.
64 bars across 10 sections: 32 keep time, 9 are fills and 17 are silent. The longest unbroken stretch of time is bars 57-63.
76 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
64 bars, about 3:22 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 12, 23, 24, 25, 26, 32 and 3 more.