140 bars of 4/4 at a walking 76 BPM, 7:21 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 106 and 117-119 -- 3.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 38 times: bars 20, 28, 42, 46, 48, 52 and 32 more.
18 more fills are written out on the fills page.
140 bars across 15 sections: 66 keep time, 38 are fills, 11 are stops and 15 are silent. The longest unbroken stretch of time is bars 1-16.
76 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
140 bars, about 7:21 at the written tempo. The course breaks it into 55 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 38 times: bars 20, 28, 42, 46, 48, 52 and 32 more.