351 bars of 4/4 at 120 BPM, about 11:42 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 55, 57 and 59, and 33 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 26 times: bars 53, 62, 88, 96, 114, 124 and 20 more.
15 more fills are written out on the fills page.
351 bars across 32 sections: 164 keep time, 26 are fills, 64 are stops and 81 are silent. The longest unbroken stretch of time is bars 166-179.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
351 bars, about 11:42 at the written tempo. The course breaks it into 73 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 26 times: bars 53, 62, 88, 96, 114, 124 and 20 more.