270 bars of 4/4 at 120 BPM, about 9:00 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 97, 99 and 102-106, and 11 more places -- 17.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 46 times: bars 29, 32, 33, 45, 46, 51 and 40 more.
19 more fills are written out on the fills page.
270 bars across 25 sections: 163 keep time, 46 are fills, 7 are stops and 29 are silent. The longest unbroken stretch of time is bars 170-183.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 80 out of 100; the rest of the number is everything around it.
270 bars, about 9:00 at the written tempo. The course breaks it into 90 exercises over 32 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 46 times: bars 29, 32, 33, 45, 46, 51 and 40 more.