176 bars, 11:54, at 61 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 106-112, 114-120 and 122-128 -- 12.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 29 times: bars 5, 7, 12, 13, 15, 20 and 23 more.
12 more fills are written out on the fills page.
176 bars across 16 sections: 98 keep time, 29 are fills, 21 are stops and 11 are silent. The longest unbroken stretch of time is bars 58-71.
61 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
176 bars, about 11:54 at the written tempo. The course breaks it into 66 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 29 times: bars 5, 7, 12, 13, 15, 20 and 23 more.