140 bars of 4/4 at 136 BPM, about 4:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-16, 18-19 and 40, and 2 more places -- 7.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 71 times: bars 11, 12, 20, 24, 28, 32 and 65 more.
16 more fills are written out on the fills page.
140 bars across 13 sections: 52 keep time, 71 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 4-10.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
140 bars, about 4:07 at the written tempo. The course breaks it into 59 exercises over 18 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 71 times: bars 11, 12, 20, 24, 28, 32 and 65 more.