125 bars of 4/4 at 145 BPM, about 3:27 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-39, 41-46 and 69-75, and 3 more places -- 31.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 11 times: bars 8, 40, 48, 68, 76, 84 and 5 more.
6 more fills are written out on the fills page.
125 bars across 17 sections: 82 keep time, 15 are fills, 10 are stops and 1 is silent. The longest unbroken stretch of time is bars 17-23.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 61 out of 100; the rest of the number is everything around it.
125 bars, about 3:27 at the written tempo. The course breaks it into 42 exercises over 12 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 11 times: bars 8, 40, 48, 68, 76, 84 and 5 more.