164 bars at 182 BPM -- fast, and 3:36 of it without a break -- on crash, hi-hat, snare, high tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34, 36 and 38, and 5 more places -- 5.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 18 times: bars 12, 53, 55, 60, 87, 88 and 12 more.
3 more fills are written out on the fills page.
164 bars across 17 sections: 47 keep time, 18 are fills, 74 are stops and 14 are silent. The longest unbroken stretch of time is bars 134-140.
182 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
164 bars, about 3:36 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 12, 53, 55, 60, 87, 88 and 12 more.