116 bars of 4/4 at a walking 100 BPM, 4:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-23 and 25-31 -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 12 times: bars 8, 24, 32, 44, 45, 47 and 6 more.
6 more fills are written out on the fills page.
130 bars across 13 sections: 89 keep time, 12 are fills, 2 are stops and 20 are silent. The longest unbroken stretch of time is bars 48-66.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 22 out of 100; the rest of the number is everything around it.
116 bars, about 4:36 at the written tempo. The course breaks it into 42 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 12 times: bars 8, 24, 32, 44, 45, 47 and 6 more.