125 bars of 4/4 at 141 BPM, about 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 48-54, 76-82 and 100-106 -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 27 times: bars 21, 23, 29, 33, 37, 41 and 21 more.
8 more fills are written out on the fills page.
125 bars across 17 sections: 69 keep time, 27 are fills, 6 are stops and 11 are silent. The longest unbroken stretch of time is bars 48-54.
141 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
125 bars, about 3:33 at the written tempo. The course breaks it into 50 exercises over 16 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 27 times: bars 21, 23, 29, 33, 37, 41 and 21 more.